Geri Dön

Sinema-toplum ilişkileri açısından Türk sineması

Başlık çevirisi mevcut değil.

  1. Tez No: 17080
  2. Yazar: FARUK KALKAN
  3. Danışmanlar: PROF.DR. ÖZCAN ÖZAL
  4. Tez Türü: Doktora
  5. Konular: Sahne ve Görüntü Sanatları, Performing and Visual Arts
  6. Anahtar Kelimeler: Belirtilmemiş.
  7. Yıl: 1991
  8. Dil: Türkçe
  9. Üniversite: Dokuz Eylül Üniversitesi
  10. Enstitü: Sosyal Bilimler Enstitüsü
  11. Ana Bilim Dalı: Belirtilmemiş.
  12. Bilim Dalı: Belirtilmemiş.
  13. Sayfa Sayısı: 192

Özet

Özet yok.

Özet (Çeviri)

SUMMAHY The cinema is a vital art as well as being ah omnipresent part of our cultural scene. It rests on the feeling that we must look to the methods of criticism if we are to understand the communication of meaning» This twentieth- century institution has an enormous socisl importance. Only for that reason we have to try to understand such a vital social process. Obviously this research is not a sociology of film. It is only a partial account, an interpretaion of the various social worlds in which the movies are to be found“ The thesis consists of an introduction followed by three chapters on methodology and, two chapters of limited case studies on Turkish Cinema after I960. Chapter one is broadly microscopic in its focus, concerned primarily with the process of communication, and often takes off from criticism of established sociological studies It is in this area that we find most research, and so these chapter is a mixture of critical co,nmentary and further development 0 191Chapter two deals with ”film language“. The discussions of film language is perhaps the most complex and abstract section of the thesis, but it is an essential prelude to the empirical discussions that follow it. Though the discussion of ”film language" grows out of the analysis,f the communication process, its main implications lie elswhere0 It leads to Chapter 3 which concerned with cinema as a pattern of culture within society. Chapter four is a case study of the individual problems of movie characters in Turkish films made after I960. The individual problems taken into consideration are; the women rights, love and sexual problems of women and the class mobility. Chapter five is another case study of social problems that are to be found in Turkish movie after I960. The land problem and unemployment with the problem of democracy are the main social problems that have been focused on in this chapter. 192

Benzer Tezler

  1. Kültürel ve zihinsel yapılanmanın Türk melodram sineması üzerindeki etkileri

    The effects of cultural and intellectual structuring on Turkish melodramatic films

    DİLEK TUNALI

    Doktora

    Türkçe

    Türkçe

    2005

    Sahne ve Görüntü SanatlarıDokuz Eylül Üniversitesi

    Sinema Televizyon Ana Bilim Dalı

    PROF.DR. OĞUZ ADANIR

  2. Toplumsal cinsiyet ve anlatının inşaası: Zeki Demirkubuz sinemasında kadınlık rolleri

    Gender and the construction of narration in contemporary turkish cinema: The roles of women characters in the cinema of Zeki Demirkubuz

    RUŞEN DİCLE AYTAŞ

    Yüksek Lisans

    Türkçe

    Türkçe

    2022

    Sahne ve Görüntü SanatlarıBatman Üniversitesi

    Sinema Televizyon Ana Bilim Dalı

    PROF. DR. AYLA KANBUR

  3. Değişen beden değişmeyen iktidar: 90 sonrası Türk sinemasında iktidarın yansıması açısından erkek bedeni

    Changing body unchanging power: Male body in terms of reflection of power in post-1990 Turkish cinema

    NALAN SINAY

    Doktora

    Türkçe

    Türkçe

    2013

    Sahne ve Görüntü SanatlarıEge Üniversitesi

    Radyo Televizyon ve Sinema Ana Bilim Dalı

    DOÇ. DR. KADRİYE LEYLA BUDAK

  4. Göçmen Türk sı̇nemasında Türk kadını ve aı̇lenı̇n sunumu

    Portrayal of Turkish women and family in immigrant Turkish ci̇nema

    İREM ŞAHİN ORAL

    Yüksek Lisans

    Türkçe

    Türkçe

    2021

    SosyolojiBalıkesir Üniversitesi

    Sosyoloji Ana Bilim Dalı

    DR. ÖĞR. ÜYESİ M. MURAT ÖZKUL