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Exploring the essential qualities of the contemporary use of figuration in consideration of three artists: Julian Opie Urs Ficher Atelier Van Lieshout

Başlık çevirisi mevcut değil.

  1. Tez No: 402445
  2. Yazar: MELİS ÖNALAN
  3. Danışmanlar: Belirtilmemiş.
  4. Tez Türü: Yüksek Lisans
  5. Konular: Güzel Sanatlar, Fine Arts
  6. Anahtar Kelimeler: Belirtilmemiş.
  7. Yıl: 2014
  8. Dil: İngilizce
  9. Üniversite: University of the Arts London
  10. Enstitü: Yurtdışı Enstitü
  11. Ana Bilim Dalı: Belirtilmemiş.
  12. Bilim Dalı: Belirtilmemiş.
  13. Sayfa Sayısı: 29

Özet

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Özet (Çeviri)

In this critical paper, I am going to try to investigate the ways of reaching a more contemporary use of figuration in consideration of three artists who use figuration in their works by moving away from key traditions: Julian Opie, Urs Fischer, and Joep Van Lieshout / Atelier Van Lieshout. I will principally explore one of their common points, which is creating basic forms that offer essential qualities on the role of readymade. Furthermore, I am going to question how these artists work on investigations in the world that surrounds us today. I am going to examine these three artists under three titles: reaching the contemporary use of figuration and meeting the expectations of today's art world, the comparison of artists' characteristics while practicing their art and, the examination of my own practice in all process and within the relation of all these issues and artists' characteristics. First of all, I want to give some brief information about these three artists who are considered as important contemporary artists of today's art world. Despite their different backgrounds and practices, they have important common features by using figuration masterly in different context and mediums, and working on investigations in the world that surrounds us today. Firstly, works of Julian Opie's change over time can be summarized with irreverent sculptures based on famous works of art, of everyday objects. Meanwhile, he has consistently pursued paintings and drawings with a strong graphic style.1 However, his portraits and animated figures are perhaps the most distinctive ones that have become his identification. Secondly, Urs Fischer's insurgent approach to art is defined as being influenced by anti--‐art movements like Neo--‐Dada or Lost Art. Since he began his career, he has produced a vast number of objects, drawings, collages, and room--‐size installations. Lastly, Joep Van Lieshout whose works are known under the brand of Atelier Van Lieshout, has started producing objects in mainly bright coloured polyester since the early eighties. Thus, this material has become his trademark in the subsequent years. Atelier Van Lieshout founded in 1995 has attained international reputation.

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