Işıksal elemanın pentür sanatına kazandırdığı ifade zenginliği
Başlık çevirisi mevcut değil.
- Tez No: 21470
- Danışmanlar: Y.DOÇ.DR. GÖKHAN ANLAĞAN
- Tez Türü: Sanatta Yeterlik
- Konular: Güzel Sanatlar, Fine Arts
- Anahtar Kelimeler: Belirtilmemiş.
- Yıl: 1992
- Dil: Türkçe
- Üniversite: Mimar Sinan Güzel Sanatlar Üniversitesi
- Enstitü: Sosyal Bilimler Enstitüsü
- Ana Bilim Dalı: Resim Ana Sanat Dalı
- Bilim Dalı: Resim Bilim Dalı
- Sayfa Sayısı: 111
Özet
Özet yok.
Özet (Çeviri)
VI SUMMARY Since the primeval thoughts, in order to depict the light used as a symbol of inner enlightenment and holiness; the background surface of the paintings, having a subject of religion, in the surface of the paintings, the halos on the heads of Christ, Mary, angels and saints in religious paintings (in paintings having religious subjects) were being painted with golden-giiding or coated with gold. In this technique, which was mostly used in Gothic paintings, the gold and the golden-gilding symbolized the holy light. Human figures and other objects were painted as surfaces and depicted in symbolic forms. A new age began in art with Giotto. By using ligth-shadow (clair-obscure) perfectly, Giotto realizes depth illusion over surface. In this case the light is not the religious one on the painting. Moreover, it adds a volume-mass effect to object in form. Massaccio has added air and light perspektives to art along with line perspektive. It is known that Pierro della Franceska was the first to use light as a means of balance (in art). In order to reinforce the plastic effect of forms Leonardo has used light-shadow with a technique which he called Sfamatu. During classical period light-shadow was handled as an important factor in compositions. Furthermore, it was used to reflect the substantial structure of the objects. Light was distributed over the surface uniformly and universally. A new understanding of light domains art by the coming Baroque style. In classical style while the most available light which shows the unchanging structure of the object was being searched, the world was being treated with the light determined by this thought. But BaroqueVII style handles the world with a light which changes and which seems to shines suddenly (unexpectedly) and fade away at once (quickly). Light doesn't spread on the whole surface but, it comes out itself as a motif where it is wanted to be stressed. After Classical and Baroque styles, the Impressionists came into scene with brand new thoughts on light issue. Until then, painters were using the studio light by idealising it. But the Impressionists wanted to transfer the real daylight on to their canvasses by going out to open air and nature. They became the pioneers of the modern age and the 20th century art by their inventions and the works they have painted (paintings they have done). The daylight's effects on our environment, its power of crating and changing the colours has been the subject matter of a number ofresearches since old ages. Light-movement relation has gained an importance since the beginning of the 20th century. Light and colour vibrations or colourful light vibrations or light movement alone is one of the main motifs of the today's ART.
Benzer Tezler
- Çelik yapı elemanlarının yangına karşı mukavemetlerinin ve alınacak önlemlerin araştırılması
The Searching of the steel structure elements to the fire and the fire preventions
BEKİR KAYABUNAR
Yüksek Lisans
Türkçe
1998
İnşaat MühendisliğiYıldız Teknik Üniversitesiİnşaat Mühendisliği Ana Bilim Dalı
PROF. DR. A. ZAFER ÖZTÜRK
- Optimization of fragmentation behaviour of brittle phase in a ductile matrix during mechanical alloying for the production of nano composite powders and final products
Mekanik alaşımlama sırasında gevrek fazın sünek matris içerisindeki ufalanma davranışlarının optimize edilmesi ve nano kompozit tozu nihai ürün üretimi
AYDIN ŞELTE
Doktora
İngilizce
2019
Metalurji Mühendisliğiİstanbul Teknik ÜniversitesiMetalurji ve Malzeme Mühendisliği Ana Bilim Dalı
PROF. DR. BURAK ÖZKAL
- Sonlu elemanlar yöntemi ile modellenen ısı değiştiricinin tasarım duyarlılık analizi ile optimizasyonu
Optimization of heat exchanger which is modelled with finite element method by using sensitivity analysis
CENK ALAYBEYOĞLU
Yüksek Lisans
Türkçe
2007
Makine Mühendisliğiİstanbul Teknik ÜniversitesiMakine Mühendisliği Ana Bilim Dalı
DOÇ.DR. ATA MUGAN
- Thermal stress intensity factor evaluation for inclined cracks in functionally graded materials using Jk-integral method
Fonksiyonel derecelendirilmiş malzemelerdeki eğik çatlakların ısıl gerilme şiddeti faktörlerinin Jk-integral metoduyla hesaplanması
BENGİ DEMİRÇİVİ
Yüksek Lisans
İngilizce
2006
Makine MühendisliğiOrta Doğu Teknik ÜniversitesiMakine Mühendisliği Ana Bilim Dalı
YRD. DOÇ. DR. SERKAN DAĞ