John Cage, John Coltrane, Morton Feldman and the liberation of sound: A study of new structural potentialities for musical composition
Başlık çevirisi mevcut değil.
- Tez No: 626155
- Danışmanlar: YRD. DOÇ. DANIŞMAN YOK
- Tez Türü: Doktora
- Konular: Müzik, Music
- Anahtar Kelimeler: Belirtilmemiş.
- Yıl: 2019
- Dil: İngilizce
- Üniversite: New York University
- Enstitü: Yurtdışı Enstitü
- Ana Bilim Dalı: Belirtilmemiş.
- Bilim Dalı: Belirtilmemiş.
- Sayfa Sayısı: 190
Özet
Taking Edgar Varese's thought-provoking article“Liberation of Sound”from 1936 as a starting point, this dissertation is a study of three remarkable figures: John Cage, John Coltrane and Morton Feldman, and analyzes the innovations that sent their music in vastly different but new and unexplored directions, with the common thread being their incorporation of real time compositional techniques. I focus on Cage's innovations in instrumentation, Feldman's notational advances, and Coltrane's idiosyncratic real-time compositional designs. These advances re-defined the“means”needed to make compositional decisions, and enabled new structural potentialities to come into existence. I also aim to contribute to the recalibration of the idea of the“avant-garde”by the inclusion of Coltrane's music along with that of his more concert music-oriented colleagues. I apply the same analytic framework to all three creators in order to avoid previous dichotomies and to open up new avenues for interpreting their work. My dissertation also includes musical analyses of 4 pieces: Amores and String Quartet in Four Parts by Cage, The Father and the Son and the Holy Ghost by John Coltrane and Crippled Symmetry by Morton Feldman. It concludes with three of my original compositions, all influenced by the work of the three master composers described above.
Özet (Çeviri)
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