Geri Dön

From Empire to Republic :Western Art Music, Nationalism, and the Merging Mediation of Saygun'sOp.26 Yunus Emre Oratorio

Başlık çevirisi mevcut değil.

  1. Tez No: 716618
  2. Yazar: OZGECAN KARADAĞLI
  3. Danışmanlar: Belirtilmemiş.
  4. Tez Türü: Doktora
  5. Konular: Müzik, Music
  6. Anahtar Kelimeler: Belirtilmemiş.
  7. Yıl: 2017
  8. Dil: İngilizce
  9. Üniversite: University of Alberta
  10. Enstitü: Yurtdışı Enstitü
  11. Ana Bilim Dalı: Belirtilmemiş.
  12. Bilim Dalı: Belirtilmemiş.
  13. Sayfa Sayısı: 201

Özet

Özet yok.

Özet (Çeviri)

This dissertation focuses on Western art music during the second half of the 19th century Ottoman Empire and the first half of 20th century in Republic of Turkey in the construction of a national identity, and how it had been used as a part of cultural politics. One of the aims is to contest some misinterpretations on the history and roles of Western art music. Through the Tanzimat (reform) period of the Ottoman Empire, Western art music genres became part of their Westernization policy. However, music was not a part of state ideology. On the other hand, as a big part of culture revolutions, music played an immense role of forging the new national identity of Turkish Republic. This music, under the vision of the founder Mustafa Kemal Ataturk, was formed through the synthesis of newly constructed Turkish folk music and Western art music techniques. Ahmet Adnan Saygun, as one the first generation of composers of the new state, dedicated himself to creating the new nationalist music of Turkey. This dissertation also argues that Saygun brought together Turkish folk music, Turkish art music and Western art music to compose nationalist music. In doing so, Saygun mediated the aesthetic and cultural traditions of the past and the present as well as broke the artificial art and folk music binary. Lastly this dissertation offers an analysis of the first section of Op.26 Yunus Emre Oratorio, one of Saygun's most well-known pieces based on the eponymous Anatolian mystic Yunus Emre, to show that through combining musical materials from different periods of Turkish history Saygun created his musical mediation.

Benzer Tezler

  1. Anadolu'nun işitsel hazinesi: Halk şarkıları ve ilgili çoksesli koro eserlerinin karşılaştırmalı incelemesi [1933-2002]

    Auditory treasure of Anatolia: A comparative research of folk songs and related polyphonic choral works [1933-2002]

    ÖMER YUSUF TOPÇU

    Doktora

    Türkçe

    Türkçe

    2023

    MüzikMimar Sinan Güzel Sanatlar Üniversitesi

    Müzikoloji Ana Bilim Dalı

    DOÇ. DR. İLKE BORAN

  2. Çağdaş Türk resminde gelenek sorunu

    Tradition problems in contemporary Turkish art

    ZAFER MİNTAŞ

    Sanatta Yeterlik

    Türkçe

    Türkçe

    2001

    Güzel SanatlarMarmara Üniversitesi

    Resim Ana Sanat Dalı

    PROF. HÜSAMETTİN KOÇAN

  3. Siyasal iletişimde şarkı kullanımı: 2019 yerel seçimlerinde AK Parti örneği

    The use of songs in political communication: The case of AK Parti in 2019 local elections

    HAKAN SİPAHİOĞLU

    Yüksek Lisans

    Türkçe

    Türkçe

    2020

    İletişim BilimleriGalatasaray Üniversitesi

    Radyo Televizyon ve Sinema Ana Bilim Dalı

    DR. ÖĞR. ÜYESİ GÜLSÜN GÜVENLİ

  4. Muzıka-yı Humayun

    Başlık çevirisi yok

    BELKIS ÇERKEZ

    Yüksek Lisans

    Türkçe

    Türkçe

    1995

    Güzel Sanatlarİstanbul Teknik Üniversitesi

    PROF. SELAHATTİN İÇLİ

  5. Ekrem Reşit ve Cemal Reşit Rey kardeşlerin birlikte çalıştıkları operetlerin dramaturjik incelemesi

    Dramaturgic analysis of the operates that the brothers Ekrem Reşit and Cemal Reşit Rey worked with

    MERYEM KARAAĞAÇ TAN

    Yüksek Lisans

    Türkçe

    Türkçe

    2021

    MüzikKocaeli Üniversitesi

    Müzikoloji Ana Bilim Dalı

    DOÇ. DR. HAKAN BAĞCI