Phenomenological and etymological approachesto improvised music and intuitive music
Başlık çevirisi mevcut değil.
- Tez No: 767663
- Danışmanlar: DR. LUKAS HUİSMAN
- Tez Türü: Yüksek Lisans
- Konular: Müzik, Music
- Anahtar Kelimeler: Belirtilmemiş.
- Yıl: 2020
- Dil: İngilizce
- Üniversite: Hogeschool Gent
- Enstitü: Yurtdışı Enstitü
- Ana Bilim Dalı: Belirtilmemiş.
- Bilim Dalı: Belirtilmemiş.
- Sayfa Sayısı: Belirtilmemiş.
Özet
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Özet (Çeviri)
This thesis aims to define etymological and phenomenological differences between intuitive music and improvisation. The essential starting point of the thesis is the contradicted and dichotomous perspectives and ideas on the usage of improvisation and intuitive music in today's music. This study has offered various perspectives on musical terms and clarified the terms' etymological and phenomenological references. Individual and comparative researches, interpretations of improvisation, and intuitive music are the main tendency to achieve this goal. In line with this main idea, Chapter 1 presents a brief introduction of intuitive music as a concept in music, the first reason for creating it, and the historical background of its contradiction with improvisation. This chapter also presents a more general idea than the contradiction of improvisation and intuitive music. It thinks outside of improvisation and intuitive music contradiction to be able to think of the installation of our cultures with contradictions. After that, Chapter 2 starts to canalize the interpretation of improvisation, the relations of improvisation with other ways of making music, and its benefits of it to the musician and the culture. Chapter 3 is mostly related to intuitive music with the same approach as Chapter 2 with more etymological and phenomenological approaches until the end of the chapter. At the end of this chapter, the thesis starts to use etymological and phenomenological meanings of improvisation to find their essences. Chapter 4 is the conclusion that tries to enlarge the viewpoint iv of this discussion to have a perception that can adapt to other relations in music, art, and life.
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