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The ornaments of shoowa kuba: A digital re-interpretation of a textile art

Başlık çevirisi mevcut değil.

  1. Tez No: 711593
  2. Yazar: SABRİ GÖKMEN
  3. Danışmanlar: PROF. LARS SPUYBROEK
  4. Tez Türü: Yüksek Lisans
  5. Konular: Mimarlık, Architecture
  6. Anahtar Kelimeler: Belirtilmemiş.
  7. Yıl: 2010
  8. Dil: İngilizce
  9. Üniversite: Georgia Institute of Technology
  10. Enstitü: Yurtdışı Enstitü
  11. Ana Bilim Dalı: Mimarlık Ana Bilim Dalı
  12. Bilim Dalı: Tasarım Bilim Dalı
  13. Sayfa Sayısı: 32

Özet

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Özet (Çeviri)

This paper will discuss how the African tribal art of Shoowa Kuba could be analyzed as a textile ornament in order to be digitally re-constructed and applied in architecture. The topic is going to be constructed among the arguments of ornament, craft and digital tools. The introduction of the paper will feature the ideas of Wilhelm Worringer on ornament and how it relates to the current problems in aesthetics in architecture. Although his theories were based on“Gothic”, the main focus will be on the art of Shoowa Kuba - an African tribal textile ornament - in order to define where it stands within his notion of aesthetics. The text will proceed with how these intricate patterns could be digitally reinterpreted through the ideas of John Ruskin (1853). The historical analysis will be extended from Worringer's Abstraction and Empathy (1908), through the comparison of his ideas on ornament. Greek and Gothic ornaments are discussed featuring the ideas of Theodor Lipps and Alois Riegl in order to establish a strong basis for the argument. The comparison of the organic and crystalline ornaments will be developed along with Ruskin's concept of“variation”. As a result of this comparison, the paper will introduce the African textile ornament - Shoowa Kuba Embroideries - through classifications and characteristic techniques. This part will not only introduce the art of Kuba extensively, but also discuss where their notion of pattern fits in the argument of“ornament”. Ruskin's ideas on“imperfection”are going to be discussed including examples to clarify their role in the patterns and their contribution to the overall composition of the ornament. The final chapter will be a practical study into the possible use of Shoowa Kuba ornaments in architecture. The technical attributions of these ornaments will be reinterpreted in the digital medium over the concepts of scripting and programming. Here, the paper will discuss whether a machine that can create or produce imperfection, and how these can be scripted in a way they might be used for ornamental patterning in architecture.

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