Elemental procedures
Başlık çevirisi mevcut değil.
- Tez No: 723716
- Danışmanlar: PROF. ELLİE ABRONS, PROF. ADAM FURE
- Tez Türü: Yüksek Lisans
- Konular: Mimarlık, Architecture
- Anahtar Kelimeler: Belirtilmemiş.
- Yıl: 2022
- Dil: İngilizce
- Üniversite: University of Michigan
- Enstitü: Yurtdışı Enstitü
- Ana Bilim Dalı: Belirtilmemiş.
- Bilim Dalı: Belirtilmemiş.
- Sayfa Sayısı: 15
Özet
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Özet (Çeviri)
Elemental Procedures proposes a new form of architectural digitization, where architecture is conceptualized as a digital configuration and the relationships between individually significant aggregated objects create a larger construction of space and form. The curation of architectural elements both acknowledges and subverts their significance, offering new potentials for function and occupation. The project combines the cultural coding of architectural elements related to typical use and expectation with digital coding that manipulates the geometries. This manipulation is unrestricted by gravity, physical materiality, solidity, rigidity, or orientation. Elemental Procedures creates a symbiotic relationship between the digital tools and the analog impulses of the designer, expanding on the capacity of each. It creates an architecture that is both physically and conceptually between things, existing somewhere between physical and digital, analog and indexical, familiar and foreign. The term digital, rather than relating to computation or technology, is truly defined as a method of indexing using a series of digits. In essence, anything sorted, quantified, and indexed is digital. Elemental Procedures argues that architecture has always been digital. It quantifies and indexes the way we relate to space and program. Spaces are typically considered discrete and individual, containing a predefined program and contents. Categories, dichotomies and taxonomies are prevalent throughout our culture, dividing spaces into public or private, interior or exterior, and various typologies. Elemental Procedures proposes a new way that space is not the indexed quantity, rather the resultant created between elements, each with their own significance and affordances to human occupation. The project is both a tool used to create space, as well as an individual digital artifact. Working through a developed a series of staged manipulations, rules and options are prescribed, but the distinct selection from these options is made by the digital tool. Beginning with an architectural mass, the form is divided into a series of grids to be aggregated. Moving vertically, the process catalogs the procedure of manipulations on the elements. Beginning with the placement of the largest scale elements, the process iteratively introduces another manipulation with each stage, proceeding through rotating, scaling, shearing, stretching, twisting, tapering, and bending. Following this, smaller elements are procedurally introduced to aid and inspire the occupation of the space. After this computational process, the designers proceed through the created spaces, investigating and interpreting their opportunities. Afterwards, furniture, decoration, and smaller scale items are introduced into the space, further facilitating the inhabitation. Misusing familiar elements frees them of their cultural coding, reassessing what architectural space can afford the human, speculating on new spatial relationships, programmatic opportunities, methods of interaction, and elemental occupation. Occupation and interaction are resultants of the created space, allowing inhabitants to be more connected and aligned with the architecture.
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