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Conservative transformation of cloisters - societa umanitaria

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  1. Tez No: 770552
  2. Yazar: YAĞMUR BALKIS
  3. Danışmanlar: DR. GİULİO M. BARAZZETTA
  4. Tez Türü: Yüksek Lisans
  5. Konular: Mimarlık, Architecture
  6. Anahtar Kelimeler: Belirtilmemiş.
  7. Yıl: 2021
  8. Dil: İngilizce
  9. Üniversite: Politecnico di Milano
  10. Enstitü: Yurtdışı Enstitü
  11. Ana Bilim Dalı: Belirtilmemiş.
  12. Bilim Dalı: Belirtilmemiş.
  13. Sayfa Sayısı: 227

Özet

A proper systematic approach to the restoration of historic buildings is very important in the preservation of heritage buildings. This book presents the unity between the conservation and the transformation of a historic building. The project aims to establish an effective method for the conservation and transformation of the historic building and renovation by modern needs and conservation requirements while maintaining the authentic appearance. The main method in the project is the observation of Societa Umanitaria buildings and increase the efficiency of usage of the building by designing a new entrance and a pavilion to the Umanitaria Cloisters. Since 1893, the inception date of the Societa Umanitaria, it has been a living testament to Milan's history and the educational life, which has seen the city go through the major social role of the industrial period and has established the framework for education in the era through various innovative initiatives. It has also undergone a revival and a fall due to the regime's change and the rapid transitions caused by the several wars. While carrying out this project to conserve and transform the Umanitaria Cloisters, our primary goal was to use the traces of the past and reinterpret them to the site and the project based on their historical significance. We have conducted the conservation and transformation project of Societa Umanitaria for about a year, and have traced the historical documents: Giovanni Romano's architectural drawings, Societa Umanitari archive, historical photos, books, and magazines. And through these acts, we found some structural and geometrical hints for our intervention, especially during the surveys and the archive documents. By designing a timber pavilion for Cloisters, we aimed to reflect the surrounding geometries which we inspired during the site visits and researches. On the other hand, the problems that we faced about the existing situation of the site, showed us a way how to transform the functions of the internal spaces and the form-finding process of the pavilion design.

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