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Mimarlık ve şeffaflık

Architechture and transparency

  1. Tez No: 142722
  2. Yazar: YEŞİM EROĞLU
  3. Danışmanlar: PROF. DR. HÜLYA YÜREKLİ
  4. Tez Türü: Yüksek Lisans
  5. Konular: Mimarlık, Architecture
  6. Anahtar Kelimeler: Belirtilmemiş.
  7. Yıl: 2003
  8. Dil: Türkçe
  9. Üniversite: İstanbul Teknik Üniversitesi
  10. Enstitü: Fen Bilimleri Enstitüsü
  11. Ana Bilim Dalı: Mimarlık Ana Bilim Dalı
  12. Bilim Dalı: Mimari Tasarım Bilim Dalı
  13. Sayfa Sayısı: 146

Özet

ÖZET Bu çalışma, şeffaflık kavramını ve bu kavramla mimarlığın içinde bulunduğu ilişkiyi gözler önüne sermektedir.

Özet (Çeviri)

SUMMARY This work studies the concept of transparency and exhibits the relations between this concept and architecture. The key words are: transparency, permeability, organized transparency, layerd transparency, interpenetration, ambivalence, simultaneity, cubism, lightness, honesty, bare This work, which studies the concept of transparency together with social, cultural and physical factors, demonstrates the role transparency plays in man's life and its purposes for use and tools by considering all different definitions of the concept up to today. In architecture, a discipline which is oriented towards Man, the reflections of this concept and in the forms of and the purposes for transparency is used in architecture are analysed. Within the framework of the thesis, no single truth was aimed at but they are studied in all viewpoints and judged through causes resulting from today's conditions, human needs, technology developed, building techniques, phsychological and social parameters while studying the transaformation of the concept. Chapter 1 is“the introduction”and in this chapter the problem is presented and the limits of the work is provided. Chapter 2 analyses different definitions of transparency and the concept is introduced first and then the roles these different definitions play in our lives are revealed. And also concentrates on perception and factors of perception, how transparency is perceived and the factors that affect this perception. The fact that the concept of transparency mentioned in the thesis is felt by both visual and conceptual means is realized through perceptual means within the framework of the thesis. In Chapter 3, the ways the concept of transparency is emplayed in architecture and the reasons underlying them are analysed and examples are provided to explain them. The conception of transparency according to five Turkish practicing architects selected and the reflections of this conception in their buildings are studied. In Chapter 4, remarks are made within the context of the previous chapters of the thesis. XI

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