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Avrupa'da porselen figür

Başlık çevirisi mevcut değil.

  1. Tez No: 36584
  2. Yazar: SERDAR TEKEBAŞIOĞLU
  3. Danışmanlar: PROF. ALİ İSMAİL TÜREMEN
  4. Tez Türü: Yüksek Lisans
  5. Konular: Güzel Sanatlar, Fine Arts
  6. Anahtar Kelimeler: Belirtilmemiş.
  7. Yıl: 1994
  8. Dil: Türkçe
  9. Üniversite: Anadolu Üniversitesi
  10. Enstitü: Sosyal Bilimler Enstitüsü
  11. Ana Bilim Dalı: Belirtilmemiş.
  12. Bilim Dalı: Belirtilmemiş.
  13. Sayfa Sayısı: 47

Özet

SUMMARY Porcelain was introduced to Europe by Marco Polo although it was well known art; it was greathly appreciated with it's own speciality it is searched to produce in Europe. Untill they produce it, they found out specialities and thesee also used on production of ceromic producets, porcelain was getting plain while surface transparency ahd hardnes after fired and this made it greatly appreciated. Porcelain was used on formsand figurative studies. Porcelain figures were having similerity to marbel/if they fired without glaze and this taked people's attraction. Big figures are made by marbel but small figures are not. For the first period porcelain production was greatly effected by marbel but than this has given up and it took different shapen according to the it's own speciality as transperency wheteness and hardness figurative improvement of porcelain got found a new way through the help of sculptors. Many of the studio were directed by sculptors, some of the well-known craftsman are Böttger, Kaendler, Melchior and Falconet. Porcelain figures also effected by [Baroc, Rococo, Neo-Klasic] trend and there were great smilaritre between the related figuren. After 19. th. century, some coltural and social changen has beyan and that was the end of the porcelain figure. There were no change on porcelain figure for long period. Now, it is re-born with the help of new art mentality. And people don't care about the neither as the ticale, nor usual problems anymore.Geçmişte, porselen figürler belirli zamanlarda var olan akımlar (Barok, Rococo, Neo Klasik) doğrultusunda aynı sözü söyler hatta birbirlerine çok benzerlerdi. Bu süreç 19. y.y.'a kadar sürdü. Sonradan toplumsal ve kültürel olguların değişmesi, porselen figürün altın çağının sonunu getirdi. Uzunca bir süre porselen figürde bir gelişme yaşanmadı. Günümüzde, yeni sanatsal olgularla porselen figür yeniden kurgulanmaya başlandı. Porselen figürde, kavramsal yaklaşımlar doğrultusunda yeni bir boyut kazandırılmaya çalışılıyor. Bu çalışmalarda da eskisi kadar görsel estetik problemler de çok önemsenmiyor.

Özet (Çeviri)

SUMMARY Porcelain was introduced to Europe by Marco Polo although it was well known art; it was greathly appreciated with it's own speciality it is searched to produce in Europe. Untill they produce it, they found out specialities and thesee also used on production of ceromic producets, porcelain was getting plain while surface transparency ahd hardnes after fired and this made it greatly appreciated. Porcelain was used on formsand figurative studies. Porcelain figures were having similerity to marbel/if they fired without glaze and this taked people's attraction. Big figures are made by marbel but small figures are not. For the first period porcelain production was greatly effected by marbel but than this has given up and it took different shapen according to the it's own speciality as transperency wheteness and hardness figurative improvement of porcelain got found a new way through the help of sculptors. Many of the studio were directed by sculptors, some of the well-known craftsman are Böttger, Kaendler, Melchior and Falconet. Porcelain figures also effected by [Baroc, Rococo, Neo-Klasic] trend and there were great smilaritre between the related figuren. After 19. th. century, some coltural and social changen has beyan and that was the end of the porcelain figure. There were no change on porcelain figure for long period. Now, it is re-born with the help of new art mentality. And people don't care about the neither as the ticale, nor usual problems anymore.

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