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The representation of the Muslim woman in early modern English drama

Başlık çevirisi mevcut değil.

  1. Tez No: 401263
  2. Yazar: ÖZ ÖKTEM
  3. Danışmanlar: DR. TINA KRONTIRIS
  4. Tez Türü: Doktora
  5. Konular: İngiliz Dili ve Edebiyatı, English Language and Literature
  6. Anahtar Kelimeler: Belirtilmemiş.
  7. Yıl: 2013
  8. Dil: İngilizce
  9. Üniversite: Arıstotle Unıversıty Of Thessalonıkı
  10. Enstitü: Yurtdışı Enstitü
  11. Ana Bilim Dalı: Belirtilmemiş.
  12. Bilim Dalı: Belirtilmemiş.
  13. Sayfa Sayısı: Belirtilmemiş.

Özet

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Özet (Çeviri)

Recent scholarship in early modern studies often reads the representation of the Muslim woman in English dramatic works in the light of postcolonial identity politics, which sees an organic relationship between the West's historical domination of the East and the Western discourse on the East. Within this view, the Islamic woman is rendered a symbol for her land and people and her conquest by European men is supposed to signify the Western superiority over Islam. This thesis problematizes the above trajectory, which is largely informed by Said's theory of Orientalism, by arguing that the assumption of a power relation between a dominating West and a subordinate East cannot be sustained within the context of the political and historical realities of the sixteenth and seventeenth centuries. Although the English acquired an experience in the New World that enabled them to articulate their first colonial aspirations, in the East they were far from the position of superiority that they assumed in later centuries. Against the Islamic superpower of the Ottomans, which was a threat to the entire Europe, England was only a nascent nation seeking the Ottomans' commercial and military support to rival the other nations within the radically fractured Christendom. For this reason, the image and the function of Islamic femininity in the period's drama should be re-interpreted so as to reflect this overturn in the world's power balances, as well as the complex and intricate dynamics of England's intensified contact with Islam in the Mediterranean. While referring to historical and theoretical texts, the present study analyzes in detail a series of early modern plays that thematize Islam, including plays by Marlowe, Massinger, as well as Beaumont and Fletcher. The analysis discusses the representation of the Muslim woman by reformulating Said's theory in line with the unique global dynamics of the age. At the same time, it pays attention to the interconnection of gender notions across the Muslim and Christian cultures. The early modern era witnessed significant transformations with respect to the position of women within the English society. Humanism, the Reformation, and new forms of production enabled Englishwomen for the first time to articulate ideas of equality and defend their rights for greater liberties. Women's transgression of their culturally prescribed roles caused serious patriarchal anxieties, which are evidenced by the substantial effort observed in the writings of many male writers and moralists to legitimize women's subordination. The same constant preoccupation with proper gender roles can also be seen in the dramatic works with Islamic themes and characters, and in these plays Muslim women are constructed as negative feminine figures who embody what the patriarchal understanding found threatening and undesirable in women. By extending the arguments countering the post-colonial theory with references to the period's gender debate, this thesis shows how the fictional Muslim female figures of the early modern English stage functioned as a versatile dramatic material that allowed playwrights to reflect on the Christian patriarchal anxieties with respect to both the overwhelming power of Islam and the oppositional voices of Englishwomen.

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