Twentieth-century western scholarly, artistic, and journalistic perspectives on the Middle East: Bernard Lewis, David Douglas Duncan, and Sandra Mackey
Başlık çevirisi mevcut değil.
- Tez No: 540545
- Danışmanlar: Dr. EUGENE CROOK
- Tez Türü: Doktora
- Konular: Sahne ve Görüntü Sanatları, Sanat Tarihi, Performing and Visual Arts, Art History
- Anahtar Kelimeler: Belirtilmemiş.
- Yıl: 2012
- Dil: İngilizce
- Üniversite: Florida State University
- Enstitü: Yurtdışı Enstitü
- Ana Bilim Dalı: Belirtilmemiş.
- Bilim Dalı: Belirtilmemiş.
- Sayfa Sayısı: 492
Özet
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Özet (Çeviri)
This dissertation examines twentieth-century Western scholarly, artistic, and journalistic perspectives on the Middle East. The Middle East has been a constant topic of research in academia throughout the centuries, in which Orientalism is one of the leading enterprises, studying and presenting the region though theoretical frameworks and influential ideologies. As Edward W. Said noted in Orientalism (1978), the common trend in this discipline is to show the purported binary, the dichotomizing of the Islamic East and the Christian West, which is discernible through visual art forms and various literatures projecting the Eastern world as often exotic and dangerous. With its Eurocentric perspective, Orientalism's influence is evident in several other fields, perhaps most notably in media practices seen through assorted biased reporting. The callous evaluations and assessments of the Middle East are perpetuated in the productions of many scholars, correspondents, and photographers since early post-WWII, when the area studies began taking on a new direction, renewed while changing hands from Britain to the U.S., where ideology and decision making have met. This dissertation focuses on three expert communicators, and investigates how the modern Middle East is presented in their works—the academic treatments of Bernard Lewis, the photojournalism of David Douglas Duncan, and the journalism of Sandra Mackey. Their contributions have been critical and, in a very real sense, have created the Western view of the Middle East, making them worthy subjects of close scrutiny. Examination of their conceptualizations of the region and their perspectives on Islam delineates how the Middle East has been perceived, to what extent their positions in presenting the situation on the ground have contributed to the world shaping decisions of the policy makers, which have often rested more on myth and nostalgia than the facts, and how they have served to influence the shaping of knowledge about the East in the West, particularly in the U.S.
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