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Oscillation between Modernism and postmodernism in Julian Barnes'Flaubert's parrot

Başlık çevirisi mevcut değil.

  1. Tez No: 714938
  2. Yazar: MOHSEN TAQI POUR
  3. Danışmanlar: DR. NAHİD SHAHBAZİ-MOGHADAM, DR. Ensieh Shabanirad
  4. Tez Türü: Yüksek Lisans
  5. Konular: İngiliz Dili ve Edebiyatı, English Language and Literature
  6. Anahtar Kelimeler: Modernism, Postmodernism, Julian Barnes, Twentieth Century British Fiction, Flaubert's Parrot, Kunstlerroman, metafiction, stream of consciousness, truth, Gustave Flaubert
  7. Yıl: 2018
  8. Dil: İngilizce
  9. Üniversite: Khayyam Instıtute Of Hıgher Educatıon
  10. Enstitü: Yurtdışı Enstitü
  11. Ana Bilim Dalı: Belirtilmemiş.
  12. Bilim Dalı: Belirtilmemiş.
  13. Sayfa Sayısı: Belirtilmemiş.

Özet

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Özet (Çeviri)

There were a lot of changes in fiction, particularly novel, at the turn of century from the nineteenth to the twentieth. Just before World War I, the allure of modernism separated avant-gardes from bourgeois values by practicing new complex forms and styles. Authors shifted away from apparent objectivity that had become possible through clear-cut moral positions, omniscient third-person narrators, and fixed narrative points of view. Together with the fragmented form of the genre, there was a general tendency towards discontinuous narratives, and seemingly random collages of various materials. While affected by modernism, midcentury artists were both disillusioned by World War II and frustrated by modernist extremities. Many post-modernist authors tried to distance from modernist complexity and fragmentation of style which was soon followed by rather complex and fragmented content. Postmodernism is now known with features like plurality, intertextuality, self-reflexivity, and metafiction. Julian Barnes who tried his hand at both movements wrote the unconventional Flaubert's Parrot (1984) after two conventional modernist novels. Despite numerous criticisms on postmodernist aspects of Flaubert's Parrot, the novel has rarely been studied for its modernist preferences. The present study focuses on the controversies over the techniques applied in the novel and traces both modernist and postmodernist elements. By studying the oscillation between modernism and postmodernism, this study emphasizes how Flaubert's Parrot goes beyond such labelling as modernism or postmodernism as early as 1984. vi

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