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Locating folk music in the search of béla bartók and Ahmet Adnan Saygun

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  1. Tez No: 727177
  2. Yazar: BEGÜM BENSU ÜNSAL
  3. Danışmanlar: Belirtilmemiş.
  4. Tez Türü: Yüksek Lisans
  5. Konular: Müzik, Music
  6. Anahtar Kelimeler: Belirtilmemiş.
  7. Yıl: 2017
  8. Dil: İngilizce
  9. Üniversite: The University of Birmingham
  10. Enstitü: Yurtdışı Enstitü
  11. Ana Bilim Dalı: Belirtilmemiş.
  12. Bilim Dalı: Belirtilmemiş.
  13. Sayfa Sayısı: 26

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Özet (Çeviri)

The term 'peasant music'1 connotes, broadly speaking, all the tunes which endure among the peasant class of any nation, in a more or less wide area and for a more or less long period, and constitute a spontaneous expression of the musical feeling of that class'' (Bartók, 1931:7). At Budapest Conservatoire working with Istvan Thomas, Bartók was interested with Hungarian folk music and its history. He was aware that the greater part of the materials came from the music of Hungarian, Slovak and Rumanian peasants and thousands of tunes had been collected and published by himself. In 1936 Bartók accepted an invitation from Ahmet Adnan Saygun to visit Turkey. Saygun is a Turkish composer and an ethnomusicologist who believed that national music values can be transformed into international music. There have been some claims that these two composers have some musical similarities such as pentatonic scales or ornamental peculiarities (Szabolsci, 1974). My interest is to find out whether such similarities have been affected by their own national folk music and second, by a wider range of folk music through comparison of two works; Romanian Folk Dances by Bela Bartók and Violin Suite by Ahmet Adnan Saygun. I will discuss the similarities and differences in their composing methods and conclude by saying that while both got deeply influenced by their national folk music traditions, they had different ways of incorporating these patterns in their own music. According to Bartók, the folk music is the outcome of changes wrought by a natural force whose operation is unconscious (1931: 2). There are different ways of composing and protecting folk music. One is more to preserve old traditions and even develop while the other is to harmonise it with newly tunes from other cultures. Because of these different ways of expression we can see one particular tune appearing in many different ways and many different countries. Recently the tendency in composing folk music has been to alter and combine the old melodies with newer tunes from a variety of different sources. Until the nineteenth century, Hungarian people had no knowledge of written music. Written music was only used in occasional cases and the music was learnt by ear. The tunes have been stay alived with an oral tradition, and this is the main reason for the existence of variant tunes.

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