The wordsworthian atmosphere: Motion, corporeality, and affect in theprelude
Başlık çevirisi mevcut değil.
- Tez No: 853269
- Danışmanlar: DR. WENDY LEE
- Tez Türü: Yüksek Lisans
- Konular: İngiliz Dili ve Edebiyatı, English Language and Literature
- Anahtar Kelimeler: Belirtilmemiş.
- Yıl: 2021
- Dil: İngilizce
- Üniversite: New York University
- Enstitü: Yurtdışı Enstitü
- Ana Bilim Dalı: Belirtilmemiş.
- Bilim Dalı: Belirtilmemiş.
- Sayfa Sayısı: 48
Özet
This thesis engages with The Prelude in order to understand atmosphere-formation and its inner workings in the poetry of William Wordsworth. It argues that Wordsworth, throughout his career, works out a particular configuration of atmosphere, which offers an alternate epistemological paradigm that conceives of matter, and hence bodies, devoid of ontological demarcations. This epistemological paradigm that the Wordsworthian atmosphere posits, and represents simultaneously functions as a tool to notice the significance of certain key notions that underwrite Wordsworth's aesthetic sensibilities: motion, corporeality/embodiment, the non-human, and affect.“The Making of Atmospheres”therefore offers a literature review that concentrates on the relationship between these key notions and the idea of the atmosphere in various contexts: aesthetic, physical, and affective. It is divided into two parts: the first one explores the primary terms, motion, embodiment, and affect in Wordsworth's poetry; the second delves into a theoretical discussion on the meanings of atmosphere, which highlights interconnectedness the key notions the first part explores — specifically in the context of Wordsworth. Having presented different approaches to, and views on, the idea of the atmosphere, literature review notes a common sense of ambiguity that all scholars in their own ways register when making sense of the atmosphere. Moreover, it argues that this sense of ambiguity in fact provides a useful tool to understand the semantic nuances between critical notions that define the ontology and operation of atmosphere, especially in the case of Wordsworth's poetry. Thereafter, the thesis deals with The Prelude in two sections:“The Prelude and the Wordsworthian Atmosphere: A Corporeal Epistemology,”and“Motion, Matter, Transitivity: Foundations of the Wordsworthian Atmosphere.”The first one zooms in on a moment from Book V, which it takes it to be the main passage in The Prelude that portrays most clearly how Wordsworth represents the coming about of an atmosphere through saturated boundaries between different sorts 2 of bodies. By building up on the elaborations on atmosphere introduced in literaturereview, this section demonstrates that an affectivity circulation is what connects all corporeal entities taking up space together in a given environment, hence making the latter into an atmosphere. This automatically invokes the issues of motion, matter, and corporeality, which are uncovered by the works of a number of Wordsworth scholars such as, Richard Sha, Marjorie Levinson, and Maureen McLane. The work of the above mentioned scholars, particularly that of Levinson, necessitates an investigation of how Wordsworth aesthetically conceives of the relationship between matter and motion, which constitutes the foundations of the Wordsworthian atmosphere. This part demonstrates that Wordsworth perceives the relationship between motion and matter as transitive, and that it is also worked out in The Prelude yet, at an earlier point, in Book II. The analysis of the moment from Book II in this context reveals that the interspecies communication, central to the passage from Book V, not only portrays the process by which affect gives rise to a certain modality of knowledge, but also repurposes the human identity through an extension to the non-human in Wordsworth. Finally, coda posits further notes and elaborations that discuss the key notions of the Wordsworthian atmosphere in relation to the narrative course of The Prelude as an autobiographical text. First, it re-contextualises the corporeal epistemology of the Wordsworthian atmosphere in relation to Stacy Alaimo's term,“trans-corporeality.”Then it unravels that the narrative course of The Prelude, when looked at more closely, associates this transitive relationship between matter and motion with a sense of“formativeness.”And, finally, it argues that this corporeal epistemology, and hence the Wordsworthian atmosphere, is in fact a deliberate choice on the part of the poet, which in fact casts light on the ideological aspect in Wordsworth's aesthetics.
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