Lustinianus Ayasofyası üzerine bir anlam araştırması
A study on the meaning of the Justinian's Saint Sophie
- Tez No: 66589
- Danışmanlar: PROF. DR. GÜNKUT AKIN
- Tez Türü: Yüksek Lisans
- Konular: Mimarlık, Architecture
- Anahtar Kelimeler: Belirtilmemiş.
- Yıl: 1997
- Dil: Türkçe
- Üniversite: İstanbul Teknik Üniversitesi
- Enstitü: Fen Bilimleri Enstitüsü
- Ana Bilim Dalı: Mimarlık Tarihi Ana Bilim Dalı
- Bilim Dalı: Belirtilmemiş.
- Sayfa Sayısı: 372
Özet
with the church of San Vitale in Ravenna, as they are the two double shell designs, constructed by Justinian. The third part of the second sub-division is the structural data, that we can fallow on Saint-Sophie. What we can define from the structural analyse made by the scholars, is, that Saint Sophie is not part of the structural conservatism of the Roman architecture. It is planned in order to supplement the inner shell. The fourth part of the second sub-division consists of the decorative aspects in Saint- Sophie. It is devided into two divisions. The first deals with the wall surfaces, but the second deals with the column capitals. The problem is focused on what has become from the Justinian design on the church. Accepted data, from the scholars' interpretation is the golden mosaics on the dome surface, with a cross at the middle, through the last years of Justinian's reign. The four angles on pendentives are suspectable. The last part of the second sub-division is the liturgical use of the church, as well as the liturgy in the time Justinian. The sources are not sufficient, but the ceremonial principles, esapecially on which the emperor takes part are focused generally. The fourth part of the thesis deals with the political ideology, named“imperial”and its reflection on Saint-Sophie's iconography. It is devided into three sub-division. The first sub-division is the definition of the Imperial Ideology, and its shaping throughout the history of the Roman Empire. The major aspects of this ideology as examined according to the politics of the Roman emperors, from Constantine to the Justinian, with the theological conflicts, as the state is defined primarely Christian. The second sub-division consists of the re-interpretation of the iconographical aspects cited on the thesis' second part. The sholars' interpretations are handled again and firstly, it is seen that the site of the church is deeply related with cult of“Sun”. It is important consdering iconographical aspects related to Constantine. Second, the site of the church is some kind border that old Byzantion's Helenistic identity and the new Romanized images are confronted. Until Justinian's time, the major constructions and the monuments which had place on the territories surrounding Saint-Sophie, are realized by the emperors, who has worked hard to establish imperial ideology. The information the early Constantinopolitan basilicas and first Saint-Sophie is considered on that way. The third sub-division consists of the imperial images on Justinian's Saint- Sophie. The iconograhical reflections of the Imperial Ideology on the Constantine's time and later, are focused as an essential for the interpretation. Saint- Sophie' s space composition is an integration of an octagonal inner shell with a baldaquin, completed to a square shape, by the outer shell. The octagonal shell's has longtime been preceeded by the tetraconch double shell designs, beginning by the Golden Octagon, imperial baldaquin has always been, an imperial symbol, used by tha eastern world. All the composition is interpreted according to the ideological reflections of the imperial ideology, cited above. xiv
Özet (Çeviri)
The fourth part of the thesis is an interpretation of the architectiral aspects on Saint Sophie as Solomon's Temple in Jerusalem. This part is devided into 3 sub-division. The first sub-division is the definitive information on King Solomon, as a biblical archetype, integrating two major identities. The first one is the prophetie and hollyness coming from the biblical tradition and fallowed by both Chritianity and İslam. The second is the king or leadership of his religious Jewish state. Solomon is not only political leader, but also as a chief of the cult. The Bible do not give a strict definiton of his Temple, so called erected in Jerusalem, but just a brief information on the mesurements. The proportions can be easily identified, fallowing the data. The decorative motives applicated on the Temple's wall surfaces are also one of the major points given in the Bible. The building activity which took place on the Temple Area, in Jerusalem is resumed according to the scholars' sources, that The Dome of The Rock is a final point. Some of the building that the scholars find concrete images of Solomon's Temple is considered and tried to see how the Temple image is shaped. The political aim of each patron of theses buildings is conform to the religious use of the biblical tradition. The second sub-division is the interpretation of Saint-Sophie's architectural features as a replicated Solomon's Temple near the Roman aspects on its architecture. The procedure is the same with the other buildings handled to the precedant sub-division. The last part of the thesis is the conclusion. According to the iconological definitions given at the precedant last two parts, as well as their ideological paralellisin is focused. xvwith the church of San Vitale in Ravenna, as they are the two double shell designs, constructed by Justinian. The third part of the second sub-division is the structural data, that we can fallow on Saint-Sophie. What we can define from the structural analyse made by the scholars, is, that Saint Sophie is not part of the structural conservatism of the Roman architecture. It is planned in order to supplement the inner shell. The fourth part of the second sub-division consists of the decorative aspects in Saint- Sophie. It is devided into two divisions. The first deals with the wall surfaces, but the second deals with the column capitals. The problem is focused on what has become from the Justinian design on the church. Accepted data, from the scholars' interpretation is the golden mosaics on the dome surface, with a cross at the middle, through the last years of Justinian's reign. The four angles on pendentives are suspectable. The last part of the second sub-division is the liturgical use of the church, as well as the liturgy in the time Justinian. The sources are not sufficient, but the ceremonial principles, esapecially on which the emperor takes part are focused generally. The fourth part of the thesis deals with the political ideology, named“imperial”and its reflection on Saint-Sophie's iconography. It is devided into three sub-division. The first sub-division is the definition of the Imperial Ideology, and its shaping throughout the history of the Roman Empire. The major aspects of this ideology as examined according to the politics of the Roman emperors, from Constantine to the Justinian, with the theological conflicts, as the state is defined primarely Christian. The second sub-division consists of the re-interpretation of the iconographical aspects cited on the thesis' second part. The sholars' interpretations are handled again and firstly, it is seen that the site of the church is deeply related with cult of“Sun”. It is important consdering iconographical aspects related to Constantine. Second, the site of the church is some kind border that old Byzantion's Helenistic identity and the new Romanized images are confronted. Until Justinian's time, the major constructions and the monuments which had place on the territories surrounding Saint-Sophie, are realized by the emperors, who has worked hard to establish imperial ideology. The information the early Constantinopolitan basilicas and first Saint-Sophie is considered on that way. The third sub-division consists of the imperial images on Justinian's Saint- Sophie. The iconograhical reflections of the Imperial Ideology on the Constantine's time and later, are focused as an essential for the interpretation. Saint- Sophie' s space composition is an integration of an octagonal inner shell with a baldaquin, completed to a square shape, by the outer shell. The octagonal shell's has longtime been preceeded by the tetraconch double shell designs, beginning by the Golden Octagon, imperial baldaquin has always been, an imperial symbol, used by tha eastern world. All the composition is interpreted according to the ideological reflections of the imperial ideology, cited above. xivThe fourth part of the thesis is an interpretation of the architectiral aspects on Saint Sophie as Solomon's Temple in Jerusalem. This part is devided into 3 sub-division. The first sub-division is the definitive information on King Solomon, as a biblical archetype, integrating two major identities. The first one is the prophetie and hollyness coming from the biblical tradition and fallowed by both Chritianity and İslam. The second is the king or leadership of his religious Jewish state. Solomon is not only political leader, but also as a chief of the cult. The Bible do not give a strict definiton of his Temple, so called erected in Jerusalem, but just a brief information on the mesurements. The proportions can be easily identified, fallowing the data. The decorative motives applicated on the Temple's wall surfaces are also one of the major points given in the Bible. The building activity which took place on the Temple Area, in Jerusalem is resumed according to the scholars' sources, that The Dome of The Rock is a final point. Some of the building that the scholars find concrete images of Solomon's Temple is considered and tried to see how the Temple image is shaped. The political aim of each patron of theses buildings is conform to the religious use of the biblical tradition. The second sub-division is the interpretation of Saint-Sophie's architectural features as a replicated Solomon's Temple near the Roman aspects on its architecture. The procedure is the same with the other buildings handled to the precedant sub-division. The last part of the thesis is the conclusion. According to the iconological definitions given at the precedant last two parts, as well as their ideological paralellisin is focused. xvwith the church of San Vitale in Ravenna, as they are the two double shell designs, constructed by Justinian. The third part of the second sub-division is the structural data, that we can fallow on Saint-Sophie. What we can define from the structural analyse made by the scholars, is, that Saint Sophie is not part of the structural conservatism of the Roman architecture. It is planned in order to supplement the inner shell. The fourth part of the second sub-division consists of the decorative aspects in Saint- Sophie. It is devided into two divisions. The first deals with the wall surfaces, but the second deals with the column capitals. The problem is focused on what has become from the Justinian design on the church. Accepted data, from the scholars' interpretation is the golden mosaics on the dome surface, with a cross at the middle, through the last years of Justinian's reign. The four angles on pendentives are suspectable. The last part of the second sub-division is the liturgical use of the church, as well as the liturgy in the time Justinian. The sources are not sufficient, but the ceremonial principles, esapecially on which the emperor takes part are focused generally. The fourth part of the thesis deals with the political ideology, named“imperial”and its reflection on Saint-Sophie's iconography. It is devided into three sub-division. The first sub-division is the definition of the Imperial Ideology, and its shaping throughout the history of the Roman Empire. The major aspects of this ideology as examined according to the politics of the Roman emperors, from Constantine to the Justinian, with the theological conflicts, as the state is defined primarely Christian. The second sub-division consists of the re-interpretation of the iconographical aspects cited on the thesis' second part. The sholars' interpretations are handled again and firstly, it is seen that the site of the church is deeply related with cult of“Sun”. It is important consdering iconographical aspects related to Constantine. Second, the site of the church is some kind border that old Byzantion's Helenistic identity and the new Romanized images are confronted. Until Justinian's time, the major constructions and the monuments which had place on the territories surrounding Saint-Sophie, are realized by the emperors, who has worked hard to establish imperial ideology. The information the early Constantinopolitan basilicas and first Saint-Sophie is considered on that way. The third sub-division consists of the imperial images on Justinian's Saint- Sophie. The iconograhical reflections of the Imperial Ideology on the Constantine's time and later, are focused as an essential for the interpretation. Saint- Sophie' s space composition is an integration of an octagonal inner shell with a baldaquin, completed to a square shape, by the outer shell. The octagonal shell's has longtime been preceeded by the tetraconch double shell designs, beginning by the Golden Octagon, imperial baldaquin has always been, an imperial symbol, used by tha eastern world. All the composition is interpreted according to the ideological reflections of the imperial ideology, cited above. xivThe fourth part of the thesis is an interpretation of the architectiral aspects on Saint Sophie as Solomon's Temple in Jerusalem. This part is devided into 3 sub-division. The first sub-division is the definitive information on King Solomon, as a biblical archetype, integrating two major identities. The first one is the prophetie and hollyness coming from the biblical tradition and fallowed by both Chritianity and İslam. The second is the king or leadership of his religious Jewish state. Solomon is not only political leader, but also as a chief of the cult. The Bible do not give a strict definiton of his Temple, so called erected in Jerusalem, but just a brief information on the mesurements. The proportions can be easily identified, fallowing the data. The decorative motives applicated on the Temple's wall surfaces are also one of the major points given in the Bible. The building activity which took place on the Temple Area, in Jerusalem is resumed according to the scholars' sources, that The Dome of The Rock is a final point. Some of the building that the scholars find concrete images of Solomon's Temple is considered and tried to see how the Temple image is shaped. The political aim of each patron of theses buildings is conform to the religious use of the biblical tradition. The second sub-division is the interpretation of Saint-Sophie's architectural features as a replicated Solomon's Temple near the Roman aspects on its architecture. The procedure is the same with the other buildings handled to the precedant sub-division. The last part of the thesis is the conclusion. According to the iconological definitions given at the precedant last two parts, as well as their ideological paralellisin is focused. xv
Benzer Tezler
- İznik'te İsmail Bey Hamamı restorasyon projesi
The Restoration project for İsmail Bey Bath in İznik
AYŞE KANTARCIOĞLU(AKYIL)
- Türkiye Cumhuriyeti döneminde Ayasofya (1923-2023)
Hagia Sophia during the Republic of Türkiye (1923-2023)
EKREM YEŞİLSU
Yüksek Lisans
Türkçe
2024
Tarihİstanbul Sabahattin Zaim ÜniversitesiTarih ve Medeniyet Araştırmaları Ana Bilim Dalı
DR. ÖĞR. ÜYESİ ABDULLAH TOK
- Eyyûb-zâde Mehmed Efendi'nin Kostantiniyye Kal'ası isimli eseri (inceleme-metin)
Eyyüb-zâde Mehmed Efendi's Constantinople Castle (analysis-text)
ÖZLEM COŞKUN
Yüksek Lisans
Türkçe
2021
Türk Dili ve EdebiyatıErzurum Teknik ÜniversitesiTürk Dili ve Edebiyatı Ana Bilim Dalı
DOÇ. DR. MEHMET AKİF GÖZİTOK
- Justinianus politikası ışığında Anicia Juliana ve Polyeuktos Kilisesi
Justinianus policy: Anicia Juliana and her patronage of the Polyeuktos Church
ZEKİYE ELENİ TUTAL
- Osmanlı müelliflerinin kaleminden Ayasofya'nın inşaşı
The construction of Ayasofya in the writings of Ottoman scholars
HÜSEYİN SARI