Geometrik dönem vazoları üzerinde görülen prothesis ve ekphora sahneleri
Başlık çevirisi mevcut değil.
- Tez No: 20845
- Danışmanlar: PROF. DR. VEDAT İDİL
- Tez Türü: Yüksek Lisans
- Konular: Arkeoloji, Archeology
- Anahtar Kelimeler: Belirtilmemiş.
- Yıl: 1992
- Dil: Türkçe
- Üniversite: Ankara Üniversitesi
- Enstitü: Sosyal Bilimler Enstitüsü
- Ana Bilim Dalı: Arkeoloji ve Sanat Tarihi Ana Bilim Dalı
- Bilim Dalı: Klasik Arkeoloji Bilim Dalı
- Sayfa Sayısı: 224
Özet
Özet yok.
Özet (Çeviri)
100 reigned throughout the Geometric period upto the period of the black figure. This rather long span of the tradition definitely marks it as a very important ingredient of the Greek daily life.99 Those figures mourning with one-hand and corrying armour are characterized as men. The male figures are usually placed behind female figures. The figure holding the horse harnessed to the chariot and the group of guards of honor are also male figures. Figures drawn at a small scale are not always children. Those small figures close to the bier serve the sole purpose of filling space. Howewer, if the small figure is sitting on the lop of a woman or if it is held by the hand, the small figure is definitely a child. Animals, drawn either dead or alive, represent the offerings to be delivered to the dead whilst or after the funeral ceremony. The sex of the dead is not always clearly depicted. In all scnenes. Only in 4 vases is the sex absolutely clear. Two of them are male and the other two are female. One dead wears a helmet. Besides, the chariot freezes below the Prothesis scene and armour on the dead show that the dead is a male. Moreover, the types of vases also play an important role in the determination of the sex of the dead. According to this, amphorae represent the women and kraters represent the men. The order of the chariots on the bottom freeze of the vase represent not the race whilst the funeral ceremonies but the ordering before the races. The tradition of mourning and showing this in various ways on vases in Greece ever since the Myken period has99 Those figures mourning with one-hand and corrying armour are characterized as men. The male figures are usually placed behind female figures. The figure holding the horse harnessed to the chariot and the group of guards of honor are also male figures. Figures drawn at a small scale are not always children. Those small figures close to the bier serve the sole purpose of filling space. Howewer, if the small figure is sitting on the lop of a woman or if it is held by the hand, the small figure is definitely a child. Animals, drawn either dead or alive, represent the offerings to be delivered to the dead whilst or after the funeral ceremony. The sex of the dead is not always clearly depicted. In all scnenes. Only in 4 vases is the sex absolutely clear. Two of them are male and the other two are female. One dead wears a helmet. Besides, the chariot freezes below the Prothesis scene and armour on the dead show that the dead is a male. Moreover, the types of vases also play an important role in the determination of the sex of the dead. According to this, amphorae represent the women and kraters represent the men. The order of the chariots on the bottom freeze of the vase represent not the race whilst the funeral ceremonies but the ordering before the races. The tradition of mourning and showing this in various ways on vases in Greece ever since the Myken period has
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