'ben' ve 'başka-ben' ler sorunsalı ve oyunculuk sanatı
Problem of 'ego' and 'other-ego' and art of acting
- Tez No: 51643
- Danışmanlar: PROF.DR. ŞAHİN YENİŞEHİRLİOĞLU
- Tez Türü: Yüksek Lisans
- Konular: Felsefe, Sahne ve Görüntü Sanatları, Philosophy, Performing and Visual Arts
- Anahtar Kelimeler: Belirtilmemiş.
- Yıl: 1996
- Dil: Türkçe
- Üniversite: Ankara Üniversitesi
- Enstitü: Sosyal Bilimler Enstitüsü
- Ana Bilim Dalı: Belirtilmemiş.
- Bilim Dalı: Belirtilmemiş.
- Sayfa Sayısı: 145
Özet
Özet yok.
Özet (Çeviri)
Summary In this work, I wanted to realize the philosophy of art on a particular art, the art of acting, and on the particular system of this art, Stanislavsky's system of acting. Therefore, I defined the most fundamental philosophical problem of the art of acting, and I analysed and scrutinized it in the philosophy of Sartre who is an“existentialist”philosopher. The mainest philosophical problem of the art of acting is the problem of“ego”and“other-ego”s. Because the definition of the acting for the many kinds of acting, including Stanislavsky's is“with an artistic aim, an ”ego“' s effort of get changing itself to an ”other-ego“ and therefore an ”ego“' s effort of changing to an ”other-ego“. Thus this work has those three sections: The Art of Acting and Stanislavsky, The Philosophical Problems of Art of Acting, The Problem of ”Ego“ and ”Other-Ego“s and Sartre. When I synthesized the knowledges on these three sections and thought on them, I concluded as the following: The main subject examined by both Sartre and Stanislavsky is ”the individual who lives with consciousness of his existence“; and they examine this subject with mainly the concepts of ”conciousness“, ”ego“ and ”other-ego“. Sartre's these thougts on the context of being, knowledge and value are deeper than Stanislavky's; but Stanislavsky thinks also about the effort of synthesizing the ”ego“ and ”other-ego“. The main questions which are replied by Sartre are: How can ”F base my own being and the beings of“other-ego”s? What are the structures of these beings? What is the structure of my knowledge about myself and about“other-ego”s? What is the structure of relations between“ego”,“other- ego”s and values? It is obvious that the effort of replying this questions can light“ego”who will both get change and change and“other-ego”who is changed to and therefore it can light the art of acting, too.
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